The incorporation of organic media into the work has opened some new doors in my metal sculpture. These are some of the pieces I have been talking about in my last few posts. To see the difference between these works and previous works, visit my web site.
Archive for the ‘arts movement’ Category
New Work
Monday, April 19th, 2010Posted in Santa Fe sculptor, art movement, arts movement, metal art, metal sculpture blog, sculpture | No Comments »
ART = What?
Sunday, November 29th, 2009It is almost 3 AM. Snow was forecast, but instead, a sloppy rain, the hint of winter coming.
Slowly.
I spent the holiday in California. On a beach, by a pool, in the arms of my love. The first such holiday without my children, who are becoming adults and making their own decisions. The first without a turkey, the cranberry/orange relish I make with Grand Mariner. I spent it dancing to bad 80′s music, laughing, thinking little. Reading a great deal. I have been awake for 23 hours (mostly) between planes and airports, rushing deadlines and the wayward acts of a child I hope will soon become a man. I am avoiding ART. I am creating something new. I am redefining, for myself and those who know me, what it means to be an artist. A woman in love. A mother. A member of the world.
Art (dictionary definition): 1. the production or expression of what is beautiful, appealing, or of more than ordinary significance.
What does this mean? I was looking for the etymological significance of the word. Words are usually pretty tricky. I didn’t find anything. Latin. Ars. Skill, Art. Not much help as I focus on my current creation of, of all things, a shopping center instead of a sculpture, painting, or even a blog.
Turnbull, about Fitzgerald, said something about a life being a work of art. Implying (maybe even stating) that Fitzgerald’s life was somehow more relevant, more profound, than his literature and I am thinking tonight about my last post, Dead or Alive, about living and breath and above all, personal responsibility, non-situational ethics, the pain involved with doing nothing and the pain involved with doing too much. I am thinking about pain, about happiness, about the irrevocable, brutal intertwining of both and how I am never content. I am thinking about what is new. Can we truly reject the pursuit of power, or the pious ablution of that pursuit through an homage to fear?
Another definition. I love this.
Human: Originally spelled Humane. Humane has been restricted in its use since 1700 and takes into account only the nobler aspects of man. Whereas Human, in its current and original forms, speaks to the whole spectrum from weak and pathetic to benevolence, compassion, and refinement. Don’t you love it? Keep the word, restrict the meaning.
As artists, it is our job to be “fully human.” Fully alive. Suffering. Wise. Creative. Flaky. Insightful. Substance Users. Substance Abusers. Aloof. Leftist. Against God. Talking to God (s) and/or muses. Chroniclers. Mystics. Psychics. Insane. Sexual. Deviant. Passionate. Intolerable. Good god, what we are tasked with! And god help us if we truly take it into the world. Make the world our canvas, our raw metal on the ground — bringing order from chaos, breath into a day, creating something new (a shopping center, a baby, a garden, what have you?) with the palette at our finger tips and the possibilities in our hearts. This would be better written in the morning. Tonight, in the dark, with sloppy rain falling almost wetly in my desert, it seems that Dionysus will have his way.
ART gets sacrificed, at least tonight, for LIFE.
Posted in Creative process, Santa Fe sculptor, art movement, arts movement, metal art, metal sculpture blog, sculpture | 7 Comments »
Dead or alive
Tuesday, August 18th, 2009I am thinking tonight about Charles Bukowski, Janice Joplin, freedom. Freedom to write, to sing, to walk away. Bukowski said, “An intellectual is a man who says a simple thing in a difficult way. An artist is a man who says a difficult thing in a simple way.” A friend said recently that art exists on three levels. The first is when you’re learning your media, your techniques, your tools. The second is when you have bonded with your media and are focused on design, composition, etc. Most art is at these two levels. But basically, these levels are like dead bodies. You can dissect them, examine and classify them, use them as examples. You can even rearrange the parts to create something new because it doesn’t matter. They’re dead.
The third level is when the work comes alive. It breathes. Then none of it matters. It could be severely disabled, or radically beautiful, or unbelievably intelligent and its all the same. It is what it is. It is alive. At this stage, technique, composition, everything goes out the window because, finally, all these things are irrelevant.
This is a great way to look at it– a complicated thing said in a simple way. Either its dead or its breathing. Which of course throws a great deal of my ranting out the window. Dead or alive. Pretty simple.
But here’s the thing. In this world of sterile, condescending museums, decorators and fabric swatches, the inevitable exclamation of “Oh, these are beautiful. I love these. They’re my colors exactly,” and intellectuals who wouldn’t know a new idea if it smacked them across the nose, does it matter? My kids love Zombies. Even the thought of them gives me nightmares. Don’t you have to be alive to recognize life?
Years ago, some friends and I would wander up Canyon Road in Santa Fe. We would get to the top and drink several margaritas so we could be sober enough to walk back down. We talked about creating Baa (Bad Art Association). We would have little stickers of black sheep and every time we saw a work that was terrible, or an environment that killed good art, we would tag it. No explanation. No justification. Just Baa. Like sheep. But then, finally, we didn’t have the guts. We decided it wouldn’t be fair to all the artists who were trying their best. We wouldn’t want to undermine their creativity.
Then, Friday this week, at an opening of particularly good work, I talked with a gallery owner/artist about the show, the business, about work that breathes. We talked about the economy and its affect on the business, and how all the hangers on (artists and galleries), all the ones who jumped on the band wagon, are going to fall by the wayside and only what is good will survive. He talked about February this year and how he never wants to get that close to the edge again. Said where he came from (Cuba, I think) every day was February, 2009 and if you weren’t good, “I mean really good,” you didn’t make it.
OK. Bukowski. Bobby McGee. Breathe.
Posted in Creative process, Santa Fe sculptor, art movement, arts movement, metal art, metal sculpture blog, sculpture | 4 Comments »
Complexity
Wednesday, May 20th, 2009
Posted in Creative process, Santa Fe sculptor, art movement, arts movement, metal art, sculpture | No Comments »
Time for a new arts movement?
Friday, February 13th, 2009It surprises and angers me that the art establishment places so much value on the meaningless manipulation of material as if the application of media in new or different ways can, by itself render the media into art. New does not always equal innovation, and innovation by itself does not equal art. Art is the emotional and intellectual expression, and subsequent personal revelation, of individual experience. The focus has moved from developing depth and honesty in individual expression, to celebrating innovations in material and technique that seek simply to shock, disturb or confound the viewers without taking them further into themselves or their world.
Throughout history, artists have manipulated media in response to their need to express more fully and with more depth that which they needed to communicate. Generally techniques and material innovation derived from the artistic process of self-exploration. It didn’t happen the other way around. Consequently, innovation does not necessarily equate to good art and just because one can make something doesn’t necessarily mean one should. What is cool is seldom profound and technology can not substitute for authentic human expression.
Unfortunately, this emphasis on new media and techniques has replaced the emphasis on content and in the process, we have lost our value for the aesthetic which, while we have tended to relate the word to beauty alone, also means perception. For me, art is that which gives voice to things in ourselves we do not know. It expands our consciousness. It resonates deep within us and soothes us through the honesty with which it reveals the world around us, our common experiences, and the value of our individual journeys even as it validates our yearnings, desires, hopes and dreams.
Art should never just be a commentary or a political statement. In the same breath, art should never be merely sentiment or raw emotion. Instead, art should create a dialog through which both the emotional and intellectual response to experience is revealed. In that instant of expression, all we know of an object, a subject, or an abstraction of them — the individual, the historical, the present moment – is translucent, revealed to us through the vulnerability and courage of an artist who is willing to be fully honest. Then, as viewers, we can discover that in anger there is both love and fear, that hope comes from loss and is only sustained through determination and self-actualization, that our memories weave the fabric of our present, and that every one thing we thought we had defined has myriad parts yet to be discovered.
It is time for a new arts movement; time for artists to collectively define the direction we take in the 21st century. It is time to focus on those works which embody authenticity of expression over material manipulation, depth over observation, beauty (which does not mean pretty) over disturbing, clarity and insight over shock and confusion. Our continued willingness to support works whose meanings exist only through the interpretation of curators (whose jobs depend on the fact that the works require interpretation) condemns us. For if, as a culture, our highest accolades are reserved for those who seek to shock, destroy, and manipulate as they deny the breadth of our experience, then all our culture can aspire toward is more of the same.
Instead, we must inspire the art establishment to value once more that which is both perceptive and beautiful, regardless of media or subject matter. For too long we have lived under the umbrella of our recent history. There is no truth to the conviction that bad work sells and good work gets hung in museums. It is time to eradicate the myth of the starving genius and the wealthy sell out. It is time to lay to rest the notion that if you can’t understand something, then it must be good. Finally, it is time to help our world heal through works and exhibitions that value human endeavor over human despair. Each of the major movements leading up to and through the 20th century were created by just a handful of committed artists. Can we not do the same? Truly, if we lead won’t the world follow?
Posted in Creative process, Santa Fe sculptor, art movement, arts movement, metal art, sculpture | 3 Comments »






