Archive for April, 2010

Minimalism

Friday, April 23rd, 2010

It snowed last night.  The cold creeping, insipid in the dark, through the quilts and the tangled bones of memory reawakened.  We gnawed on the marrow of old wounds.  Shivering.    

We don’t have quilts.

Or memories that we share. 

Or enough silverware anymore.

In the cold and toxic dark, our words ripped through each other like angry animals desperate for sustenance.  

I love you.  Art matters. 

Where the fuck did all the forks go?

I am thinking about minimalism.  Stripped bare.  Bones, invisible in the dark. 

Letting go.  Holding on.

The First Step

Wednesday, April 21st, 2010

The thing about not traveling all the time is that the movement becomes internal.  An undulating river of emotions, ideas, fleeting thoughts, flashes of possibilities.  Sometimes its hard to know what’s real, what course to follow, where to go and even how.  Its easier, I think, to have a deadline, take the necessary steps, and arrive at the destination to encounter mostly what you expected. 

I have a friend who has spent most of her life internally.  An artist, a writer, a beautiful soul who beats herself up incessantly because somehow she has not “arrived” in the world, or achieved the external accolade she expected she would.  She called me this afternoon, from our local art supply store, asking me to validate her decision to spend a ton of money she doesn’t have to buy art supplies and an easel so she can make the work that will get her into a gallery. 

We talked then, about making a commitment to the work, the lifestyle, the promise of manifesting a particular future.  Somehow, you do have to make the commitment, put yourself at risk, be willing to fail, to lose it all, in order to get whatever it is you desire. 

My friend is making the commitment to sell her art and make a living doing it.  I’m committing to myself — to the mystery, the unknown, the life without a specific focus or goal, to exploration and the ability to leave my studio at two in the afternoon so I can come home and write a blog post about drifting. 

Instead, I’m writing a post about action, goals, commitment and the fear associated with them.

I am guessing my friend is loading her car right now, berating herself for being less than frugal, and smiling a little at being daring enough to act on a desire instead of merely wishing for it.  I am guessing that as she contemplates this first step, the blank canvases and the sacrifices that will have to be made to accomodate them, she is feeling a bit small, lost and out of control.  I am also guessing that as she puts the car in gear she will crank some of her favorite music, lean back in her seat, and feel a large amount of hope.  Because this afternoon, when I left my studio, walked away from deadlines and work ethic, and all the rest,  that’s what I did.

New Work

Monday, April 19th, 2010

The incorporation of organic media into the work has opened some new doors in my metal sculpture.  These are some of the pieces I have been talking about in my last few posts.  To see the difference between these works and previous works, visit my web site.

Sedona

Tuesday, April 13th, 2010

We ran away this weekend.  Fast, hard and with the inevitable collisions.  Against red rock and grey stones and the light, fresh green of new leaves, we walked the river, picked our way through boulders and logs, and lava shaped round and soft by a river ages old. 

We talked.  We fought.  We made love and held hands.  We were intimate — away from the deep pulls, the running pressure of our turbulent lives — sane and real. 

I am always surprised that passion and intimacy are so linked though perhaps I shouldn’t be. Still, when I think of it, I imagine intimacy as a kind of quiet, a stillness in time.  The latin root of passion is: suffering.  The roots of intimacy are: put or pressed into (with a sense, from a slightly different root, of inmost).

Suffering, pressed into, inmost.  Suffering the beauty of color.  Suffering the weight of love.  Pressed into a place, a time, a history, the inmost, tenderest parts.  The smallness of us.  The hugeness of us.  The rolling, sliding, rushing, calm, mysteriousness of it all.  And is there a point?

This was what we pondered in the abstract and in the deeply personal.  We wrestled philosophically and emotionally with all the tools at our disposal until finally we were so spent there was nothing left to do but play cards, drink wine and smile at each other.   

I have spent most of the last 30 years trying to find a point.  The art has been about going far enough in to find something that somehow makes sense, resolves the questions, formulates a philosphy that answers not only why, but how to live.  And the funny thing is, right now, I’m pondering the point of that. 

Its so easy to get trapped by a doctrine, stuck in a belief, encapusalted in conviction.  Now, I am finding that the convictions and beliefs, the constructs of safety and order I have created are only boats, frail ones at that, down a wild river.  They are the leaf, the twig, and the plastic bottle floating with the current until the inevitable log dam or waterfall catches them, crushes them, or rips them apart. 

It seems that inevitably, I find myself either stuck or in the water.  Do I try to catch another leaf, another twig?  Or, in this moment, wet and shivering and gasping for air, am I a part of the mystery and force of this river.  Am I then, outside the constructs of safety and order, simply finding a way to be.

New Directions

Monday, April 5th, 2010

I’ve been missing for a while.  Pulled in different directions and, truth be told, burnt out.  The work felt redundant, tired, and well, like work.  So I took a break.  4 months later, I am back in my studio full time.  And its better.  Somehow, the work is going deeper.

In a nutshell, I think that if art is like meditation (and I am assuming it is though I don’t meditate) then the first thing we do as artists is learn how to clear the clutter from our hearts and minds.  Once the clutter is clear, we can focus, hone in, distill the essence of a particular experience and render it with conviction and precision.  That’s where I was.  I didn’t know how to go farther so I thought I had to switch media again, start from scratch and come at the ever present questions from a new direction.   

Since  my break,  it feels different.  Its as if the continued meditation, process, what have you, has progressed from clarity into mystery.  A door has opened out of myself and the universe is waiting.